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R P O - Best of Broadway at the Royal Albert Hall ticketsBOOK
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(16th May 2013)
As previews begin for Timothy Sheader's production of To Kill A Mockingbird this evening, Regent's Park Open Air Theatre has announced full casting for the 2013 season.
The cast for Jane Austen's ultimate romantic comedy, Pride and Prejudice will include Jane Asher as Lady Catherine De Bourgh. Directed by Deborah Bruce, the play will run from 20 June - 20 July.
William Shakespeare's The Winter's Tale, re-imagined for ages six and over will feature Lewis Goody (Florizel), Guy Burgess (Leontes), Dean Nolan (Polixenes), Sirine Saba (Hermoine), Alexandra Maher (Paulina/Camillo) and Kezrena James (Perdita). From 29 June to 20 July, this production will use Shakespeare's original text, and is especially created for younger audiences.
Laurence Olivier Award nominees Charlotte Wakefield (Maria Rainer) and Michael Xavier (Captain Von Trapp) will lead the cast of The Sound Of Music. Directed by Rachel Kavanaugh, the musical will conclude the 2013 season, playing from 25 July to 7 September.
Regent's Park Open Air Theatre previously announced Robert Sean Leonard in the role of Atticus Finch in To Kill A Mockingbird, the first production of the 2013 season which begins previews this evening. The Tony award-winning American actor is best known for playing Dr. James Wilson in the Fox television series House and Neil Perry in the 1989 movie Dead Poets Society. Having frequently performed on and off Broadway since 1986, To Kill a Mockingbird will mark Robert's return to the London stage for the first time in 22 years.
CHARLIE AND THE CHOCOLATE FACTORY
RE-SCHEDULES TWO PREVIEWS
(14th May 2013)
The producers of Charlie and the Chocolate Factory have reluctantly taken the decision to reschedule the first two previews of the new stage musical. Preview performances on Friday 17th and Saturday 18th May will be replaced by an additional preview on Wednesday 22nd May at 7.30pm and another extra performance to be scheduled during a forthcoming holiday period.
Unforeseen problems in the delivery of a piece of stage engineering by a contractor have caused delays to the schedule.
Ryan Petersen, spokesman for the production, said "The whole production team is frustrated by this unforeseen delay in what has otherwise been a very smooth and exciting rehearsal period. We're sorry to inconvenience people who have booked for these first previews but are putting on an extra performance next Wednesday evening which will become our first public preview."
Charlie and the Chocolate Factory is currently booking until 23rd November 2013
PASSION PLAY
"PACKED WITH BLACK HUMOUR AND WRENCHING EMOTION"
(8th May 2013)
Olivier Award-winner Zoe Wanamaker has returned to the West End in Passion Play, which officially opened on Tuesday evening.
In a glorious meeting of humour, eroticism and duplicity, Peter Nichols' celebrated black comedy follows James and Eleanor, a married couple, whose worlds are upended when James agrees to a secret rendezvous with their recently widowed friend Kate.
"David Leveaux's beautifully judged production does full justice to this ingenious modern classic," writes Charles Spencer in his four-star review for The Telegraph. "Passion Play" is often startlingly raw, and proves technically daring, too," he continues. "This is a drama packed with black humour and wrenching emotion."
As with many other reviewers, Michael Billington in The Guardian compares the play to two other adultery-based dramas from the same era, namely Pinter's Betrayal and Stoppard's The Real Thing. He writes: "After the interval, the play enters another dimension. That's partly because Nichols ups the ante to show the corrosive consequences of betrayal, partly because I found it impossible to take my eyes off Zoe Wanamaker's Eleanor. What you see is a once-confident woman whose life is destroyed by doubt... she gives us a riveting portrait of the ravages of deception."
In the London Evening Standard, Henry Hitchings agrees that Wanamaker "absorbingly expresses the agony of betrayal." However, whilst he found the production to be "at its best... clever and fun... The portrait of marital jeopardy at times strays towards cliché." He concludes: "For all its pleasures this is an oddly small play, which doesn't say anything new about adultery or marriage."
"Adulterers may want to give Passion Play a miss, despite its voyeuristic frissons," claims Quentin Letts in the Daily Mail, who seemed confused by the use of alter egos and a stage that "...becomes as crowded as a tennis court during busy doubles. It is hard keeping up with who's saying what..." he claims, possibly because he was distracted by "slinky glamour" of Annabel Scholey. Warning that, due to her being in possession of what he enthusiastically describes as "more curves than the Monte Carlo racetrack, (she) may provoke reactions from a lower part of the anatomy," he restrained himself from awarding a "phwoarr" star rating.
Passion Play is at the Duke Of York's Theatre until August 3rd.







